Ebro Claims Hot 97 is Different Than Other Urban Stations, They Are Not Article

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In the midst a press run to promote his newly-released debut, There's Really A Wolf, Columbia Records artist Russ stopped by Hot 97 this week for an interview on Ebro in the Morning.

Before discussing the new album and his forthcoming tour, which he says will be “crazy,” Russ begins the interview by talking about his frustrations over the “garbage songs” that are played on the radio, a popular topic we've discussed a lot on our pages and the impetus behind Chance The Rapper recently announcing the expansion his Rapper Radio platform.

In response to Russ' extremely valid and fair criticism radio, Ebro, a veteran broadcast stalwart, suggests that while radio can be fickle when it comes to supporting a wide variety artists, it all depends on who owns the station. 

Where shall I begin?

Hot 97 is currently owned by Emmis Communications, a publically traded media company who owns a total 19 radio stations across four U.S. markets—Indianapolis, Indiana; St. Louis, Missouri; New York, New York; and Austin, Texas. Following the sale Los Angeles hip-hop station Power 106 earlier this month (pending FCC approval), as Ebro pointed out during the discussion, Hot 97 is now the lone Urban Contemporary/Hip Hop/Rhythmic Top 40 station in Emmis' radio portfolio.

While it's true Hot 97 is not like “every other radio station” in terms parent company ownership, especially when you consider iHeartMedia, Inc., by comparison, owns 850 broadcast stations, in terms song selection for airplay, they are no different than Power 105 (their chief competitor in the New York market) or any other major market urban station across the country.

Here are the last 15 songs played on air:

Ebro Claims Hot 97 is Different Than Other Urban Stations, They Are Not  Article

Aside from Diddy's classic “I Need A Girl,” which the Hot 97 programming team deserves major kudos for adding into their rotation as a recurrent, the rest their line-up is chalk: Kendrick Lamar, The Weeknd, Big Sean, Gucci Mane, Migos and J. Cole. If out curiosity, you were to hop over to Power 105 and review their recently-played line-up, to nobody's surprise, you would find… wait for it… Kendrick Lamar, The Weeknd, Big Sean, Gucci Mane, Migos and J. Cole.

Sure, Hot 97 deserves credit for mixing things up with Afrobeats artist WizKid and dancehall veteran Vybz Kartel, but considering Power 105 has their own international horse in the race with Charly Black's “Gyal You A Party Animal,” even the slight differences in song selection are minimal.

To be clear: radio doesn't uplift or create new voices, they merely ride the hot (paid for) hand. You can disagree with me, but that assessment actually came from radio host Charlamagne. And no matter what Ebro says, unless you're signed to a major label or you have a huge budget to throw at radio, your record is never being played on the air. Hell, you could even be signed to a major label—see Logic—and still never hear your records in regular rotation. 

Ebro is right, people talk to and about Hot 97 like they're every other radio station—because they are like every other radio station.

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